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CSUF Campus Photographer

CSUF Campus Photographer

12/07/2007 Score Card Comments 0 Comment

In the early part of December 2007, the California State University Daily Titan, a student on campus newspaper, published a special newsstand edition on the 50th anniversary of the campus being in existence that long. Inside the paper were the usual uplifting articles. One article covered the campus photographer, Pat O’Donnell. Problem was, Pat O’Donnell was the Public Affairs photographer. He started in 1969 as a part time lecturer. About 15 years ago he was hired half time working for Public Affairs.

The truth was that a Mr. Mike Riley, started working for the Media Center in the early 60’s and was considered the campus photographer until a couple of years ago. Mr. Riley survived the huge management crash, which resulted in the closing down of the Media Center. Mike never ceased being the campus photographer until his retirement. Even though Mike retired in 2005, he is still called to do photo work for the campus. If an institution is celebrating being in existence for 50 years, looking more closely into the complete history of people who helped complete that achievement should be done with more accuracy.


College & University
CSUF, CSUF Media Center, CSUF Photographer, CSUF Public Affairs, Mike Riley, Pat O'Donnell
The USC Kids

The USC Kids

12/04/2007 Score Card Comments 0 Comment

This blog ran a series of articles delving into an internal problem at a state university.  We were made aware of this problem late fall of 07 and began putting up articles a few months later in an attempt to pressure the university to take action.  It took a while but the university did come around (we are not sure why) and apparently resolved the issue.  The article that once appeared here has been taken down because we think it no longer serves the purpose it was intended.


College & University, Education
California State University Fullerton, CSUF, RTVF, USC, USC Kids
A Short History of the California State University, Fullerton Media Center

A Short History of the California State University, Fullerton Media Center

12/03/2007 Score Card Comments 0 Comment

This blog ran a series of articles delving into an internal problem at a state university.  We were made aware of this problem late fall of 07 and began putting up articles a few months later in an attempt to pressure the university to take action.  It took a while but the university did come around (we are not sure why) and apparently resolved the issue.  The article that once appeared here has been taken down because we think it no longer serves the purpose it was intended.


College & University, Education
California State University Fullerton, CSUF, Department of Radio-TV-Film, Media Center, Radio-TV-Film
Recession Is Here – Now

Recession Is Here – Now

12/03/2007 Score Card Comments 0 Comment

I have been listening to the financial TV cable shows and the consensus I have been hearing is that there is about a 40% chance of a recession. It would appear that the financial “experts” might be getting this from their charts and graphs which come to them with some time lag.I had two separate conversations this past weekend (12-2-07). The first was with a corporate lawyer who has a pretty good range of clients in the inland empire of Southern California. He is convinced that he is seeing a recession right now. One example he sited was car sales. He told me that his new car dealerships are not doing well. When the public can not afford new cars they turn to used cars. His used car dealer clients are not doing well either. He said when it reaches down that far, things are not going well.

My second conversation was with a shipping salesman who tries to get large companies to sign agreements to go with his company. He has the same view, we are in a recession NOW.


Commentary
Economic recession, recession, USA recession
Arriflex 16MM camera model S

Arriflex 16MM camera model S

11/26/2007 Score Card Comments 0 Comment

Troubleshooting the obvious and less obvious:

  • Camera will not run.
    • Check to make sure the motor clamp is snug. The camera motor body is the return electrical path and must be touching the motor housing clamp tight enough for a good electrical contact.
    • The film buckle switch might not have been set properly. Open the sprocket wheel mechanism and then close. You don’t see it but a little plunger resets the film buckle switch to the “ON” position by open and closing the thread mechanism.
  • You can not see an image.
    • Obviously, there is a lens cap and I would hope that that cap is not on the front of the lens.
    • The viewfinder might have a cap over it. Swing the cap out of the way. We have one camera that has a automatic iris that closes out the light from the viewfinder unless the operator places his or her eye up to the viewfinder and presses against the eye cup. The pressure opens the iris and allows the operator to view and image.
    • Each lens has a iris adjustment. Rotate the iris ring to full open.
    • The viewing mechanism employs a front surfaced mirror to direct the lens image to the viewfinder while the film is being pulled down inside the camera. It is a 50/50 percent chance that when the camera is stopped that the shutter is open allowing the lens light to the film but denying you the ability to see anything from the camera viewfinder. The solution is simple. Just rotate the camera motor shaft a bit, that is the little knob at the rear of the motor.
    • Are you using a telephoto lens or zoom in full zoom in setting? It is quite possible to be so closely zoomed into a blank wall or other surface that nothing will appear in the viewfinder. Pan or choose a wide angle lens.
    • The camera has three lens mounts. Make sure that you do not have the lens turret set between lenses.
  • Image is out of focus.
    • Did you set the diopter first? Setting the diopter is the first step you should complete before thinking about using any lens. Just take the camera with or without a taking lens and shoot something blank like a white wall, the north sky if outside, or the sidewalk. Concentrate on a ground glass image in the viewfinder. Make darn sure that that ground glass is as sharp as you can make it for your eye by rotating the diopter ring close to the eye cup. Whenever any camera person uses the camera, that person and only that person must reset the diopter. Never set the diopter for another camera person!
    • Now that the diopter is properly set, do not change it but lock it in place using the lock ring.
    • Take the lens you intend to use and set it to infinity focus. The infinity marking on a lens is a figure “8” laid on its side. Infinity is a fantastic way to calibrate a lens or check its calibration.
    • Take the iris ring and open it ALL the way. Do not stop it down one little bit. It must we wide open to remove any depth of field. [Dept of field is the area between a near and far point from the lens that shows acceptable focus.]
    • Through the viewfinder, look at an object with fine thin lines at infinity. Now lets get real here. Just pick an object at least a quarter a mile away. Power poles, power lines, high rise buildings with windows, edge of a tall building, tall trees, etc. Now we are going to concentrate on the fine lines of one or more far distant objects. Rotate the lens focus ring and rock the ring back and forth until you get the best focus.
    • Is the image sharp? Take into consideration that the image is composed on to a ground glass and the image by definition can not achieve any fantastic detail with this method but it should look sharp.
    • Look at the setting of the lens focus ring. Is it right on the infinity mark? If it is not, either you did the diopter adjustment wrong or the lens is out of calibration.
  • Image seems out of focus (more rigorous check).
    • Obtain a Siemens star target and place it at a convenient distance from the lens. This will require that you also have a tape measure. Look at the lens and look at the lens markings for distance. Choose a distance from the camera corresponding to a mark found on the lens. In this way we can get more precise as to any error. Most cameras have a film plane marking to indicate distance measurements. On the Arri S is on the opposite side of the operator close to the matt box attachment. The mark looks like a circle with a line running through it. One of the tape measure should be placed at that mark. Place the target Siemens star at a precise distance from the camera.
    • Perform the viewfinder ground glass focus as described above. Make darn sure this is as precise as you can get.
    • Now open the lens all the way. We want minimal depth of field.
    • Rotate the focus lens ring back and forth to make the Siemens star appear as sharp focus as you can get. Please remember that ground glass focus method is not going to be immaculate because the ground glass will soften any image. Just concentrate on the lines you see in the lens and stop when the target gets sharp.
    • Now with the lens left where you found the best focus, compare the lens reading to the measured distance of the Siemens star to camera distance. The two distances should be within four inches of each other. It they are not then a problem exists with the camera or the lens. Do not use the camera but return it to checkout and tell them that the tape vs eye measurements do not coincide.

    NOTE: Lens back focus is different with each model camera. Lens back focus is the distance behind the lens where the real sharp focus occurs. This sharp focus must occur on the film emulsion as it sits in the film camera aperture. Occasionally we send in our zoom lenses for collimating. Some zoom lenses are matched for a particular camera. In addition, an exact lens opening on the turret is optimum and sometime comes with a special marking. For most student projects you should not care which zoom lens goes with which camera. In the professional field you will take great care that the lens properly matches the correct camera. In any case, do not use lenses intended for another camera as the back focus might and probably will be wrong.

The information here is for educational and reference use only. Decide on your own how to proceed in performing any repair you face. We do not accept any responsibility for this information being entirely accurate. We hope it is accurate. Most of the information posed here has been noted to be significant, used in the repair process, and to some extent tested for accuracy through the actual discovery and recording of performing a repair. If you decide to use any of the information here, try to keep in mind that a number of factors may change when you attempt the “same” repair. Models do change from apparently being same units. Their are definitely different methods of making a repair. The steps that you should use to achieve a successful and expedient repair might be different. The problem you face with a piece of equipment might be similar but not an exact match to what we faced. Just use common sense and always be a bit skeptical of following our methodology until you feel that you and we share the same viewpoint and tactics.


Cine (Film Equipment), Motion Picture Film, Repair
Arri S, Arri S troubleshooting
Black Mountain 2004, Fat Cat, Cabernet Sauvignon

Black Mountain 2004, Fat Cat, Cabernet Sauvignon

11/12/2007 Score Card Comments 0 Comment

Good flavor. Excellent price. Enjoyable in all respects.

I am the canary in the coal mine. If there is any chemical additive in meat, I will get a headache. This is also some times true with wine. I can not figure out why I get headaches with wine. I do not think additives are the cause, but I am not sure of that. This wine created no headache the next morning.

My doctor told me to drink wine as it might help my symptoms from my blood thickening. In order to get the same benefits from drinking wine, I try to take Longevinex but the cost is close to $1 a pill. I love to sip wine and write this blog. I do not get headaches from Longevinex but some times it is just more fun to sip the wine instead of popping a pill.


Health, Wine
Black Mountain Fat Cat, Wine review

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